In essence, street photography is a type of candid photography done in a public place, be it a street, a restaurant or even public transport. It is similar in approach to photojournalism and mostly involves people (and/or animals) in a populated environment (which provides the context of a story told), such as a city. However, street photographers often focus on everyday lives of strangers rather than some kind of important event photojournalists are more interested in. Usually, street photographers try as much as possible to stay unnoticed when photographing. The goal of street photography is to capture scenes unaffected by the author of the work so as to show a natural story and subject. Story and subject are possibly the most important aspects of a good street shot. Henri Cartier-Bresson, arguably the best street photographer of all times, “the father of photojournalism”, had once said: “Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.”
Street Photography Tips from Matt Stuart
Matt lives in London and makes his living shooting on the streets. More of his work can be found on Matt Stuart's website.
1. Plan a street photography route. These are the places with the most people and also where the pavements are widest so there's more room to work.
2. When NOT to take photos on the street. The key to not interrupting a scene and to be quick. The longer you've been shooting street photography, the easier you'll find it to take what you want and leave. It's important to know if an image is worth taking, though.
Ask yourself if it's worth the hassle - for example, taking a picture of someone wiping a baby's bottom is bound to get you in trouble, as is photographing a drug deal. I have a gauge of the people I'm going to photograph and if it's worth it. I used to try to photograph fights when I saw them but I don't now - it's not worth aggravating two people whose adrenaline levels are soaring. All the attention can easily be turned to you, the person with the camera.
3. Street photography and the law. Whether or not you should worry about including commercial elements in your shots depends on what you'll end up doing with them. If you sell them on to a stock library you may need to make sure that the image within the image is cleared. I don't sell my pictures to stock libraries so I worry less about these issues. I've had a few run-ins with the police when I've been photographing on the streets - I stay polite and try to explain to them what I'm doing.
4. What to do when confronted. When people spot you taking a picture of them, smile - it works! Sometimes just looking at anything but the person you're photographing is good too. A switched-off iPod is useful as if people ask you what you're doing you can pretend to be listening to music.
5. Do I need permission to photograph people on the street? I don't get permission. I don't interact with the people I've photographed. You only need permission/releases if you're going to sell the picture for commercial use. I can't imagine asking the people I photograph for releases, as it would take forever and probably be quite awkward.
6. How to avoid being spotted when shooting street scenes• Wear dark clothes. Bright colors will make you stand out.
• Keep your elbows in when you're shooting.
• Have the camera set. Don't play around with exposures too much. Be ready to shoot and go.
• If you wear the camera around your neck, keep the strap high so there's less movement between bringing the camera up to your face.
• Take the camera with you everywhere. Get so used to the camera that it feels like a second skin.
Matt lives in London and makes his living shooting on the streets. More of his work can be found on Matt Stuart's website.
1. Plan a street photography route. These are the places with the most people and also where the pavements are widest so there's more room to work.
2. When NOT to take photos on the street. The key to not interrupting a scene and to be quick. The longer you've been shooting street photography, the easier you'll find it to take what you want and leave. It's important to know if an image is worth taking, though.
Ask yourself if it's worth the hassle - for example, taking a picture of someone wiping a baby's bottom is bound to get you in trouble, as is photographing a drug deal. I have a gauge of the people I'm going to photograph and if it's worth it. I used to try to photograph fights when I saw them but I don't now - it's not worth aggravating two people whose adrenaline levels are soaring. All the attention can easily be turned to you, the person with the camera.
3. Street photography and the law. Whether or not you should worry about including commercial elements in your shots depends on what you'll end up doing with them. If you sell them on to a stock library you may need to make sure that the image within the image is cleared. I don't sell my pictures to stock libraries so I worry less about these issues. I've had a few run-ins with the police when I've been photographing on the streets - I stay polite and try to explain to them what I'm doing.
4. What to do when confronted. When people spot you taking a picture of them, smile - it works! Sometimes just looking at anything but the person you're photographing is good too. A switched-off iPod is useful as if people ask you what you're doing you can pretend to be listening to music.
5. Do I need permission to photograph people on the street? I don't get permission. I don't interact with the people I've photographed. You only need permission/releases if you're going to sell the picture for commercial use. I can't imagine asking the people I photograph for releases, as it would take forever and probably be quite awkward.
6. How to avoid being spotted when shooting street scenes• Wear dark clothes. Bright colors will make you stand out.
• Keep your elbows in when you're shooting.
• Have the camera set. Don't play around with exposures too much. Be ready to shoot and go.
• If you wear the camera around your neck, keep the strap high so there's less movement between bringing the camera up to your face.
• Take the camera with you everywhere. Get so used to the camera that it feels like a second skin.
|
STREET SHOOTING ASSIGNMENT
IMAGES YOU NEED TO CAPTURE: 5 STREET PHOTOS OF STRANGERS THINK ABOUT COMPOSITION, LIGHT, SHADOWS 10 RANDOM PHOTOS; DETAILS, BUILDINGS, PEOPLE, SHADOWS, THIS IS THE MINIMUM AMOUNT OF IMAGES THAT YOU SHOULD TAKE ALWAYS BE THINKING OF COMPOSITION AND LIGHT Take way more than these30 images, then edit down to your BEST 15:) Due March 27th. The 25th and 27th will be edit days (if you are at the school) due by midnight on the 27th *In light of social distancing, you can substitute candid photos of family for stranger. They must be candid:) You could go on a walk around your neighborhood for the rest. Or walk around the mostly empty streets. Just make sure to stay 6 ft away from other people:) |
STREET PHOTOGRAPHER ASSIGNMENT
You will research a street photographer. Create a 15 slide google slide show 13 slides need to have images 1 title slide 1 Bio slide You will present these to the class. 35 points. 10-presentation 10-bio 15-slides show Due March 4, you will be presenting these 4th & 6th |